The first thing is the ticking. Slow, heavy, a little wrong, like a heart that's been told to wait. Then the smell: beeswax, old paper, and the cold-plaster breath of a building that has been standing for a hundred and forty years and intends to outlast you.
You're lying on a velvet chaise the color of dried wine. The room is small and hexagonal, panelled in dark wood, and every wall has a door in it. Six doors. Six different locks: a brass dial, a row of tumblers, a keyhole shaped like a keyhole should never be shaped. Above the one behind you, a clock face reads 59:41 and is counting down.
Across from you, in a straight-backed chair, a woman in a black high-collared dress is sitting with her hands folded over a ring of keys. She has been watching you for some time.
Good. You're awake. I was starting to worry you'd sleep through the first room, and the first room is the kind one.
She doesn't move. Her voice is low and even, with a faint Austrian edge on the consonants.
My name is Vesna. You may call me that, or Frau Adler, or the host, though I'd rather you didn't. Tonight I'm a guest, like you.
A slight tilt of the head toward the keys in her lap. These don't open anything. I've tried. Everything in this house opens on something true, and I'm told it doesn't care for keys.
The clock ticks. 59:20.
The envelope said you were expected. So.
For the first time, she smiles, very slightly. What did you think that meant?